We
are thrilled to present a SPECIAL ONE-NIGHT ONLY sneak peek at our
upcoming 18th anniversary season on Monday, July 24th. This season's final bareNaked Reading
Series presented by Hi-ARTS will feature a staged reading of the rarely
produced, political drama, NOT ABOUT NIGHTINGALES. The play will be directed by Barefoot Theatre Company's Founder/Producing Artistic Director, Francisco Solorzano. Solorzano will also appear in the play alongside Ensemble Member, Caitlin FitzGerald (featured below). Stay tuned for more on Who's Who in the cast & crew.
Caitlin FitzGerald is an actress, director and writer. As an actress her
theater credits include, Hedda in ‘Hedda Gabler’ (Private Theater
Company), Juliet in ‘Romeo and Juliet’ (Shakespeare Santa Cruz), and
‘The Optimist’ (Abingdon Theater). Her film credits include ‘It’s
Complicated’ (Dir. Nancy Meyers), ‘Newlyweds’ and ‘The Fitzgerald Family
Christmas’ (Dir. Ed Burns), ‘Taking Woodstock’ (Dir. Ang Lee), ‘Damsels
in Distress’ (Dir. Whit Stillman), ‘Manhattan Romance’ (Tom O’Brien),
‘Adult Beginners’ (Ross Katz), and the up-coming features ‘Always
Shine’, ‘This is Your Death,’ and ‘A Little Something for Your
Birthday.’ Her television credits include ‘New Girl,’ ‘Blue Bloods,’
‘Law and Order:SVU,’ ‘How to Make it in America,’ ‘Gossip Girl,’
‘Rectify,’ and the role of Libby Masters in Showtimes acclaimed series
‘Masters of Sex.’ Caitlin co-wrote and starred in the independent
feature ‘Like the Water.’ She has directed two short films, ‘The Girl
with the Jacket’, and ‘Mrs Drake.’ Caitlin’s training includes New York
University’s Tisch School of the Arts and The Royal Academy of Dramatic
Arts in London. She is a proud member of the Actors Center and Barefoot Theatre Company.
Check out the INFO below or visit us on FACEBOOK for all info on our final bareNaked Reading Series of 2017.
NOT ABOUT NIGHTINGALES
by Tennessee Williams
directed by Francisco Solorzano
Featuring Caitlin FitzGerald, Maria Paz Alegre, David Anzuelo, Reuben
Barsky, Jeremy Brena, Peter Collier, Kathryn Danielle, Charles Everett,
Gabriel Furman, Czarina Mada, Roderick Boyd Nash, Mel Nieves, Stacey
Raymond, Bobby Daniel Rodriguez, Gilberto Ron, Nino Shengelaia,
Francisco Solorzano, Eric Svendsen, Nabil Viñas, Christopher Whalen and
more!!!
WHEN: Monday, July 24th, 2017
(Doors Open @ 6:30pm; Curtain @ 7:00pm)
WHERE: El Barrio's Artspace PS 109
(215 E 99th St, New York, NY 10029, bet. 2nd & 3rd Ave.)
ADMISSION: $5! Cash Only at the Box Office
*all funds support the general operating costs of Barefoot Theatre
Company. PLEASE NOTE: This presentation will act as a fundraiser for
our upcoming 2017-2018 Season.
RESERVATION: email
barefootrsvp@aol.com with Name and amount of tixs. Limited Seating.
Reservation confirmed UNLESS you hear back from us.
FREE DRINKS sponsored by ZYR Vodka
FINE ARTS FLAUNT ARTIST - J. Eric Cook, Ad Tumulum Arts
LIVE MUSIC -TBA
NOT ABOUT NIGHTINGALES
Synopsis: The play itself focuses on a group of inmates who go on a
hunger strike in attempt to better their situation. Williams gained
inspiration for the play after reading newspaper accounts of inmates who
suffocated in a steam room in a Pennsylvania prison.
Hi-ARTS
is a leading institution within the urban arts movement — developing and
producing new works of performance and visual art, providing a platform
for artists, and creating educational and community programs that
connect and expand the audiences for urban arts.
BAREFOOT THEATRE COMPANY is a multicultural collective of actors,
writers, directors and filmmakers specializing in the development and
incubation of new work and the cultivation of new attention for
lesser-known works by long-established authors, with a vital,
thought-provoking eye toward themes of diversity and inclusion.
BAREFOOT THEATRE COMPANY/BAREFOOT STUDIO PICTURES
Francisco Solorzano, Actor /Producing Artistic Director
Christopher Whalen, Actor / Reading Series Co-Producer
Tuesday, July 18, 2017
Monday, June 12, 2017
JAN ROSENBERG (playwright)
We are proud to continue our 2016-2017 bareNaked Reading Series presented by Hi-ARTS (formerly Hip-Hop Theatre Festival) at El Barrio's Artspace PS 109 with A LITTLE PIECE OF YOU by Jan Rosenberg and directed by guest artist, Courtney Wetzel. The event will take place on Monday, June 26th. Below you'll also find more information on our upcoming reading. In the meantime, here's a little bit more on one of our newest ensemble members:
JAN ROSENBERG (Playwright) is a two-time Eugene O'Neill semi-finalist for her plays How To Destroy An American Girl Doll and What's Wrong With You. Her play How To Destroy An American Girl Doll was selected for The Last Frontier Conference in Valdez, Alaska. Her play Never Have I Ever was commissioned by The Farm Theater, and will have it's premiere production(s) next year as part of the Collage Collaboration Project. Other plays include Do Not Leave Unattended (Primary Stages ESPA*Drills Finalist), The Discarded, The Preservation of Mythical Creatures, Nice Monsters, Sweet, TACT, Pets, and Penny. TV pilots include 'Treat Yourself'. Her plays have been produced and performed in collaboration with Barefoot Theatre Company, LAByrinth Theater Company, Vertigo Theater, Wide Eyed Productions, The One Minute Theater Festival, Tangent Theater, and several others. She received her B.A from The New School. She is a contributing writer and blogger for Book Riot and a founding member of the female playwright group The Beehive Collective.
A LITTLE PIECE OF YOU
by Jan Rosenberg
Directed by Courtney Wetzel
Featuring ensemble members Kathleen Littlefield, Stacey Raymond, Francisco Solorzano, Liza Colon-Zayas and more.
Stay tuned for more info on CAST, WHO'S WHO and more!
FREE DRINKS - sponsored by ZYR Vodka
TUNES - #trashcat
FINE ARTS FLAUNT ARTIST - Roderick Boyd Nash
WHEN: Monday, June 26th, 2017
(Doors Open @ 6:30pm; Curtain @ 7:00pm)
WHERE: El Barrio's Artspace PS 109
(215 E 99th St, New York, NY 10029, bet. 2nd & 3rd Ave.)
RESERVATION: email barefootrsvp@aol.com with Name and amount of tixs. Limited Seating. Reservation confirmed UNLESS you hear back from us.
ADMISSION: $5 Suggested Donation; Cash Only at the Box Office
*all donations support the general operating costs of Barefoot Theatre Company.
A LITTLE PIECE OF YOU
Synopsis: What do all bad people have in common? Feelings. Hunger. And fingers. A play about monsters. Mostly the ones in your family.
Hi-ARTS is a leading institution within the urban arts movement — developing and producing new works of performance and visual art, providing a platform for artists, and creating educational and community programs that connect and expand the audiences for urban arts.
BAREFOOT THEATRE COMPANY/BAREFOOT STUDIO PICTURES
Francisco Solorzano, Actor /Producing Artistic Director
Christopher Whalen, Actor / Reading Series Co-Producer
Barefoot Theatre Company is a multicultural collective of actors, writers, directors and filmmakers specializing in the development and incubation of new work and the cultivation of new attention for lesser-known works by long-established authors, with a vital, thought-provoking eye toward themes of diversity and inclusion.
JAN ROSENBERG (Playwright) is a two-time Eugene O'Neill semi-finalist for her plays How To Destroy An American Girl Doll and What's Wrong With You. Her play How To Destroy An American Girl Doll was selected for The Last Frontier Conference in Valdez, Alaska. Her play Never Have I Ever was commissioned by The Farm Theater, and will have it's premiere production(s) next year as part of the Collage Collaboration Project. Other plays include Do Not Leave Unattended (Primary Stages ESPA*Drills Finalist), The Discarded, The Preservation of Mythical Creatures, Nice Monsters, Sweet, TACT, Pets, and Penny. TV pilots include 'Treat Yourself'. Her plays have been produced and performed in collaboration with Barefoot Theatre Company, LAByrinth Theater Company, Vertigo Theater, Wide Eyed Productions, The One Minute Theater Festival, Tangent Theater, and several others. She received her B.A from The New School. She is a contributing writer and blogger for Book Riot and a founding member of the female playwright group The Beehive Collective.
A LITTLE PIECE OF YOU
by Jan Rosenberg
Directed by Courtney Wetzel
Featuring ensemble members Kathleen Littlefield, Stacey Raymond, Francisco Solorzano, Liza Colon-Zayas and more.
Stay tuned for more info on CAST, WHO'S WHO and more!
FREE DRINKS - sponsored by ZYR Vodka
TUNES - #trashcat
FINE ARTS FLAUNT ARTIST - Roderick Boyd Nash
WHEN: Monday, June 26th, 2017
(Doors Open @ 6:30pm; Curtain @ 7:00pm)
WHERE: El Barrio's Artspace PS 109
(215 E 99th St, New York, NY 10029, bet. 2nd & 3rd Ave.)
RESERVATION: email barefootrsvp@aol.com with Name and amount of tixs. Limited Seating. Reservation confirmed UNLESS you hear back from us.
ADMISSION: $5 Suggested Donation; Cash Only at the Box Office
*all donations support the general operating costs of Barefoot Theatre Company.
A LITTLE PIECE OF YOU
Synopsis: What do all bad people have in common? Feelings. Hunger. And fingers. A play about monsters. Mostly the ones in your family.
Hi-ARTS is a leading institution within the urban arts movement — developing and producing new works of performance and visual art, providing a platform for artists, and creating educational and community programs that connect and expand the audiences for urban arts.
BAREFOOT THEATRE COMPANY/BAREFOOT STUDIO PICTURES
Francisco Solorzano, Actor /Producing Artistic Director
Christopher Whalen, Actor / Reading Series Co-Producer
Barefoot Theatre Company is a multicultural collective of actors, writers, directors and filmmakers specializing in the development and incubation of new work and the cultivation of new attention for lesser-known works by long-established authors, with a vital, thought-provoking eye toward themes of diversity and inclusion.
Sunday, April 23, 2017
bareNaked Reading Series CONTINUES... (4.24.17)
We're
thrilled to bring you a bareNaked Reading Series SPECIAL EDITION
presented by Hi-ARTS (formally Hip-Hop Theater Festival) featuring
VALIANT adapted by ensemble member, Lanna Joffrey; directed by Alexandra
Renzetti with Lanna Joffrey, Sharahn LaRue, Charlotte Pines, Therese Plaehn, & Shira-Lee Shalit.
Featuring LIVE MUSIC performed by Taylor Plas.
2017 bareNaked Reading Series sponsored by ZYR Vodka.
Featuring LIVE MUSIC performed by Taylor Plas.
2017 bareNaked Reading Series sponsored by ZYR Vodka.
WHEN: Monday, April 24th, 2017
(Doors Open @ 6:30pm; Curtain @ 7:00pm)
WHERE: El Barrio's Artspace PS 109
(215 E 99th St, New York, NY 10029, bet. 2nd & 3rd Ave.)
RESERVATION: email barefootrsvp@aol.com with Name and amount of tixs. Limited Seating. Reservation confirmed UNLESS you hear back from us.
ADMISSION: $5 Suggested Donation; Cash Only at the Box Office
*all donations support the general operating costs of Barefoot Theatre Company.
Hi-ARTS is a leading institution within the urban arts movement — developing and producing new works of performance and visual art, providing a platform for artists, and creating educational and community programs that connect and expand the audiences for urban arts.
(Doors Open @ 6:30pm; Curtain @ 7:00pm)
WHERE: El Barrio's Artspace PS 109
(215 E 99th St, New York, NY 10029, bet. 2nd & 3rd Ave.)
RESERVATION: email barefootrsvp@aol.com with Name and amount of tixs. Limited Seating. Reservation confirmed UNLESS you hear back from us.
ADMISSION: $5 Suggested Donation; Cash Only at the Box Office
*all donations support the general operating costs of Barefoot Theatre Company.
Hi-ARTS is a leading institution within the urban arts movement — developing and producing new works of performance and visual art, providing a platform for artists, and creating educational and community programs that connect and expand the audiences for urban arts.
VALIANT chronicles a century of war as seen through the eyes of women
from across the globe. Adapted for the stage by Lanna Joffrey from Sally
Hayton-Keeva’s book of verbatim interviews Valiant Women in War and
Exile, meet thirteen women who have fought in, struggled through, and
survived conflict. From victim to perpetrator to peacemaker, this
critically acclaimed play takes verbatim interviews to create a
compelling portrait of what women do in a time of war, and explores how
it has shaped their lives and subsequently our own.
"…war is not a foreign, distant event, neatly packaged by beginnings and endings, pertaining to one point in time. It is far too convenient to bracket wars in dates. Peace treaties may record the end of a war and attempt to guarantee war will not happen again, but they’re only meaningless pieces of paper. For, in fact we live in a world of continual war: 300 of them, at least, since the end of World War II…We are just beginning to find out what women have done, what women are capable of being and doing and thinking, and without that knowledge we are missing a crucial link in understanding not only the process of warfare but the human condition, itself. War is timeless, and it may be something that is rooted in us, in what it is to be a human being. If that is so, and if we are to survive, it is important to investigate the parts played by women in war." --Sally Hayton-Keeva
http:// valianttruth.wixsite.com/ storiesofstrength/about
BAREFOOT THEATRE COMPANY
"…war is not a foreign, distant event, neatly packaged by beginnings and endings, pertaining to one point in time. It is far too convenient to bracket wars in dates. Peace treaties may record the end of a war and attempt to guarantee war will not happen again, but they’re only meaningless pieces of paper. For, in fact we live in a world of continual war: 300 of them, at least, since the end of World War II…We are just beginning to find out what women have done, what women are capable of being and doing and thinking, and without that knowledge we are missing a crucial link in understanding not only the process of warfare but the human condition, itself. War is timeless, and it may be something that is rooted in us, in what it is to be a human being. If that is so, and if we are to survive, it is important to investigate the parts played by women in war." --Sally Hayton-Keeva
http://
BAREFOOT THEATRE COMPANY
BAREFOOT STUDIO PICTURES
Francisco Solorzano, Actor /Producing Aritstic Director
Barefoot Theatre Company is a multicultural collective of actors, writers, directors and filmmakers specializing in the development and incubation of new work and the cultivation of new attention for lesser-known works by long-established authors, with a vital, thought-provoking eye toward themes of diversity and inclusion.
Francisco Solorzano, Actor /Producing Aritstic Director
Barefoot Theatre Company is a multicultural collective of actors, writers, directors and filmmakers specializing in the development and incubation of new work and the cultivation of new attention for lesser-known works by long-established authors, with a vital, thought-provoking eye toward themes of diversity and inclusion.
www.barefoottheatrecompany.org
Thursday, April 20, 2017
MEET RAYE LEVINE (Who's Who in Extinction by Gabe McKinley)
Our production of EXTINCTION by Gabe McKinley recently closed at the John Drew Theater at Guild Hall of East Hampton but it's not the last you'll hear about this production and if you missed it...stay tuned. In the meantime, we are SO PROUD of our long time ensemble member, RAYE LEVINE and are thrilled to share this interview with you. Raye is the definition of what it means to be a Barefoot Theatre Company Ensemble Member, a true collaborator as Actor, Set Designer AND Producer on this critically acclaimed production.
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Talk a little bit about your role(s) and what the process of wearing several hats on this project has been like. Share some of the most gratifying moments.
What's the experience with regards to set design that you'd like the audience to have from the moment they enter the theater till they exit following curtain call?
What draws you most as a storyteller about Extinction? Is there a single moment that encompasses the plays overall them? If so, which and why?
Can you share a little bit about your preparation as an actor? Does it differ depending on the project or size of role?
RAYE LEVINE is a William Esper Studio graduate and ensemble member of Barefoot Theatre Company. Credits include: The Vote in Orange by Israel Horovitz at the French Embassy, On The 5:31 by Mando Alvarado directed by Jerry Ruiz, Parkslope at the Cherry Lane Theatre, Restlessness of Desire by Kristina Poe directed by Shira-Lee Shalit, Pirate by Jennifer Skura, Man In Snow directed by Francisco Solorzano, Wetiko by Greg Paul at the Actor's Studio, Finally by Israel Horovitz at the Boston Calderwood Pavilion, Victory Girls by Kristina Poe at the SVA main stage. She holds a Bachelor of Architecture from The Cooper Union, and is an ensemble figure skater of Ice Theatre of NY. http://www.rayelevine.com
Guild Hall and Where Are They Going Theatre Group
in association with Barefoot Theatre Company
present EXTINCTION by Gabe McKinley
March 30 through April 16
Directed by Josh Gladstone
Starring Brynne Kraynak, Raye Levine, Sawyer Spielberg
and Eric Svendsen
Two college buddies’ annual outing of male-bonding and debauchery veers precipitously off course when unmet expectations spiral into a volatile showdown. A darkly funny drama exploring the evolution of friendships – and the lengths to which we go to save them from falling into extinction.
Please note that this play includes graphic language and mature subject matter.
Production Team:
Set Designer – Raye Levine
Lighting Designer – Sebastian Paczynski
Stage Manager – Tyler Winthrop
Producer – Sawyer Spielberg
PR – Leah Lane
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Raye! Tell us
about being a member of the Barefoot Theatre Company ensemble? What does
that mean and why do you think it's important to have an artistic home?
It's critical to have
an artistic home! A safe place to play. Barefoot was always that place for me.
An artistic home provides much needed structure and stability in a very
unstable/unpredictable profession. Barefoot is one of the most inclusive and
diverse theatre ensembles I know!!
Talk a little bit about your role(s) and what the process of wearing several hats on this project has been like. Share some of the most gratifying moments.
Victoria! The last
(but not least) character to walk into the play, which is already on full
blast. I have fallen more and more in love with her. She is a good girl with a
big heart and strong sense of right and wrong. She isn't shy and has an open,
hopeful and curious nature. Vic probably wears the least masks of all the
characters in this piece, if any. Filling out her story has been very
gratifying. And the set!!! Seeing it come to life and living in it and
experiencing how well it works, has been such a special and unique
experience.
Do you feel that being an actor informs your work as a set designer? If so, how and why?
Do you feel that being an actor informs your work as a set designer? If so, how and why?
Absolutely. As an
actor you have to have such a sense of the space and energy/bodies around you.
This is part of what dictates how you move. My favorite part of being both set
designer and actor is when there are parameters that seem to be restrictive,
you are forced to get more creative, which makes it even better and more
satisfying. With a balance of specificity and abstraction, this leaves room for
the audience to visually fill in the gaps for themselves, do some work in
filling out details on their own - same with acting. Suspension of
disbelief!
What's the experience with regards to set design that you'd like the audience to have from the moment they enter the theater till they exit following curtain call?
Like they've been
gambling all night at the Atlantic City casinos and once they sit down, are
voyeurs in a very private hotel room space. I want them to get lost in the
environment and forget where they are.
What draws you most as a storyteller about Extinction? Is there a single moment that encompasses the plays overall them? If so, which and why?
So many poignant
moments. Really love the mirroring that happens between characters and how we
keep seeming to peel back layers and make discoveries. I love the moment when
Missy says "there's no grace in survival." That pretty much sums up a
lot about the play and how every character is dealing with their own
circumstances that brought them hear in the first place.
Can you share a little bit about your preparation as an actor? Does it differ depending on the project or size of role?
So much of it is
informed by the other actors, the chemistry. Reading and playing, repeat.
Studying the accent and getting to know Lenoir, NC (where she helms from),
knowing her values and ideas of love and loyalty. Finding and studying her
inner animal spirit (golden retriever!).
Because she seemed
like a small (more vehicular) role that served the story of the two men, it
took me a bit of time to really find creative ways to fight for her and fill
her out. I wanted the audience to leave curious about her and her life outside
of the play. It was so much fun to discover her potential along the way, and
build her story out with all of the clues that were given to me on the text. A
lot of which depended on her relationship with--and trust in--Missy (for better
or worse)...
Why should our NY audience see Extinction? And, what would you like them to take away from the event.
Why should our NY audience see Extinction? And, what would you like them to take away from the event.
It's a real unique
theatre experience--a gem of a play!! We want you to feel all feels. Come out
and spend the night with us. It will transport you into a dark spiral of fun
and shock, in the Borgata hotel of Atlantic City. ...What happens in East
Hampton, stays in East Hampton!
What’s your hometown?
Brooklyn NY!
When did you arrive in
NYC; and where do you call home now?
Always been here.
Brooklyn, NY is home.
Favorite theatre going
experience.
Tribes - Nina Raine at
the Barrow Street Theatre
RAYE LEVINE is a William Esper Studio graduate and ensemble member of Barefoot Theatre Company. Credits include: The Vote in Orange by Israel Horovitz at the French Embassy, On The 5:31 by Mando Alvarado directed by Jerry Ruiz, Parkslope at the Cherry Lane Theatre, Restlessness of Desire by Kristina Poe directed by Shira-Lee Shalit, Pirate by Jennifer Skura, Man In Snow directed by Francisco Solorzano, Wetiko by Greg Paul at the Actor's Studio, Finally by Israel Horovitz at the Boston Calderwood Pavilion, Victory Girls by Kristina Poe at the SVA main stage. She holds a Bachelor of Architecture from The Cooper Union, and is an ensemble figure skater of Ice Theatre of NY. http://www.rayelevine.com
Guild Hall and Where Are They Going Theatre Group
in association with Barefoot Theatre Company
present EXTINCTION by Gabe McKinley
March 30 through April 16
Directed by Josh Gladstone
Starring Brynne Kraynak, Raye Levine, Sawyer Spielberg
and Eric Svendsen
Two college buddies’ annual outing of male-bonding and debauchery veers precipitously off course when unmet expectations spiral into a volatile showdown. A darkly funny drama exploring the evolution of friendships – and the lengths to which we go to save them from falling into extinction.
Please note that this play includes graphic language and mature subject matter.
Production Team:
Set Designer – Raye Levine
Lighting Designer – Sebastian Paczynski
Stage Manager – Tyler Winthrop
Producer – Sawyer Spielberg
PR – Leah Lane
Thursday, April 6, 2017
MEET BRYNNE KRAYNAK (Who's Who in Extinction by Gabe McKinley)
The reviews are in and we couldn't be more excited about the rave!!! We are now in our final two week mark and would love to introduce you to another cast member, BRYNNE KRAYNAK! Brynne plays the role of Missy as well as costume designer for the production, EXTINCTION by Gabe McKinley, now playing thru April 16th. We took a moment to ask Brynne a few questions during the end of rehearsals just as the cast and crew were heading into tech week.
How
did this project/play come to you?
Gabe McKinley and I were in
the same MFA class at The New School for Drama, and Extinction initially made a debut draft there in 2009. I was always a fan of Gabe’s writing. The brutal honesty of his tone is
unforgettable! We were fortunate to be blessed with a fierce
group of playwrights in our class!
Watching Extinction evolve
over time into its published version has been a true joy! Later I found my way to Lyle Kessler’s Master
Class with Eric, Sawyer, and Raye, who were in search of a comedic scene to
work on for class. Extinction was my first thought, and out of that came our fervent
mission to do the play!
Prior
to rehearsals, were you familiar with anyone or everyone in the cast? If
so, what's your history with the other actors? Do you think any prior
familiarity with the cast supports your work and the collaborative
process? If so, can you share how and why you think this might be
important to your work?
Raye, Sawyer, Eric and I
were all in Lyle’s class at the same time, and had been watching one another
work regularly week to week. Working in
a class is so vital to really exploring your instrument as an actor, and our
friendship developed out of a mutual desire to consistently push ourselves to
our individual limits. When Sawyer
approached us with the idea of producing Extinction,
he did so with a firm belief that we would thrive together as a cast, and he
was right! There is nothing better than
working with artists you know, trust, and love, because that foundation
facilitates endless possibility within your own work.
Can
you tell us a little bit about your role in Extinction? Who is the
character you're playing and how do you connect to the role?
I play Missy, a cocktail
waitress at a local casino who meets Max and plans to spend the night with him
and Finn, enlisting her friend Victoria to evenly distribute attention to both
men. Missy is ebullient with joy, delighted
to join the party, and truly thankful to be in that hotel suite! Finding her effervescence in the text has
been wonderful. I relish exploring her
warmth, her willingness to be a perfect hostess and facilitate the comfort
required for everyone to make the most of the evening, as it were!
Is
there a theme in the play that resonates with you most? If so, why?
When I heard Extinction for the first time, I was 25,
and there were so many notes in its music that I could not hear. Now it’s like a whole new song to me, and
each time I read the play it lands differently on my ear and in my heart. Good writing allows for continual discovery
that way! I read the play through, and am immediately struck by how much time
has passed for me personally since I first heard it. My sense of self has evolved. I’ve grown, and in doing so can recognize the
fight in each character to retain and fiercely protect their perceived identity. Gabe has managed to capture what happens when
we battle against life for the deliciously selfish and merited retention of who
we are. The beauty of the play breathes
in the battle each character wages singularly, even as they all converge for
one night in a hotel suite in Atlantic City.
Can
you share a little bit about your process: preparation for first day of
rehearsal as well as during performances.
That’s a tough one! I’m still discovering new elements to Missy
with each rehearsal. Rigid choices work
against you and can lead to a stagnant exploration. Maintaining a lightness, a sense of play, serves
both in rehearsal and performance to keep discoveries fluid. Leading up to rehearsals, I made a few
initial vocal choices, mostly because the voice is a tool that informs Missy’s physicality. Her laugh floats up like champagne bubbles
and is definitely what I love most about her!
At her core, she is a truly joyful, generous, bright soul!
Being
a NYC actor, what are your thoughts about working in another town, rehearsing
away from the hustle and bustle of NYC - pros, cons?
I’d wager the experience of
rehearsing a play outside of New York is entirely dependent on the location,
and we are so fortunate to be based in East Hampton for this project! It’s a
lovely place to work, and I’ve so enjoyed my time here. The benefit to working outside of where you
live day to day is that the work can receive a highly singular focus. In college, the papers I wrote at the library
were always better than the ones I wrote in my room. Creating sacrosanct rituals that keep you
connected to your home life ease the difficulty in being away from those
elements and returning to them sporadically.
My husband is also an actor, which aids in balancing the challenges of
working on projects. He respects what I
need to do good work, and wants me to be able to give my best creatively.
What do you want audiences to walk away with after attending a performance of Extinction?
A desire to come back and
see it again! Really! The play just flies. It’s a total sensory explosion, and I’m very
excited to see how audiences react to it!
What’s
your hometown?
Bethlehem,
Pennsylvania.
When
did you arrive in NYC; and where do you call home now?
I moved to New York in 2006
to pursue my MFA in Acting at The New School for Drama. Home is now Astoria and I love it!
Favorite
theatre going experience.
My favorite theatre
experience is probably my first one. I
was three, and my parents took me to see the original Broadway production of Into The Woods. My babysitter had just seen it and
recommended they take me. We were
sitting close to the stage, and Cinderella (Kim Crosby) waved at me, and at
intermission I asked my mother if being Cinderella was her job. She answered yes, each actor plays a
character that makes the story happen for their job. That was that! There was no way I was going to do anything
else but be in a story for my job! Art wakes you up to yourself when you take it
in. Seeing that show changed my life and
defined my purpose, and I was lucky to have parents who were committed to
exposing me to art and storytelling at such a young age.
Brynne Kraynak (Missy) is an actor and teaching
artist based in New York City. She has worked with Tongue in Cheek
Theatre, Rattlestick Theater Co., Horse Trade Theater Co., and in the Samuel
French and NYC Fringe Festivals. Brynne assisted with TFANA’s education
division bringing Shakespeare to the classroom, and with Kids On Stage! Summer
program through Speranza Theatre Company. Brynne co-founded Fearless Me Films,
a production company for children that inspired storytelling through film
making. Brynne received her M.F.A. in Acting from The New School for Drama in
2009 (Malcom and Betty Smith Award for excellence and versatility in acting).
She graduated from Smith College in 2006, where she studied French Literature
and Theatre (Smith College Eliot Jr./Heflin Award for distinguished directing
and the Denton M. Snyder Acting Prize).
Guild Hall and Where Are They Going Theatre Group
in association with Barefoot Theatre Company
present EXTINCTION by Gabe McKinley
March 30 through April 16
Wednesdays – Sundays at 7pm
PLUS 2pm matinees on April 8 and April 15
Directed by Josh Gladstone
Starring Brynne Kraynak, Raye Levine, Sawyer Spielberg
and Eric Svendsen
Two college buddies’ annual outing of male-bonding and debauchery veers precipitously off course when unmet expectations spiral into a volatile showdown. A darkly funny drama exploring the evolution of friendships – and the lengths to which we go to save them from falling into extinction.
Please note that this play includes graphic language and mature subject matter.
General Admission $25 ($23 Guild Hall Members)
$15 Students under 18
Production Team:
Set Designer – Raye Levine
Lighting Designer – Sebastian Paczynski
Stage Manager – Tyler Winthrop
Producer – Sawyer Spielberg
PR – Leah Lane
in association with Barefoot Theatre Company
present EXTINCTION by Gabe McKinley
March 30 through April 16
Wednesdays – Sundays at 7pm
PLUS 2pm matinees on April 8 and April 15
Directed by Josh Gladstone
Starring Brynne Kraynak, Raye Levine, Sawyer Spielberg
and Eric Svendsen
Two college buddies’ annual outing of male-bonding and debauchery veers precipitously off course when unmet expectations spiral into a volatile showdown. A darkly funny drama exploring the evolution of friendships – and the lengths to which we go to save them from falling into extinction.
Please note that this play includes graphic language and mature subject matter.
General Admission $25 ($23 Guild Hall Members)
$15 Students under 18
Production Team:
Set Designer – Raye Levine
Lighting Designer – Sebastian Paczynski
Stage Manager – Tyler Winthrop
Producer – Sawyer Spielberg
PR – Leah Lane
Thursday, March 30, 2017
MEET ERIC SVEDSEN (Who's Who in Extinction by Gabe McKinley)
Continuing our interviews with the Cast of EXTINCTION by Gabe McKinley which opens this coming Saturday, April 1st, we're thrilled to introduce you to ERIC SVEDSEN.
What was your first impression of Extinction when you first read it?
When did you arrive in NYC? And where do you call home now:
Favorite theater going experience.
Guild Hall and Where Are They Going Theatre Group
in association with Barefoot Theatre Company
present EXTINCTION by Gabe McKinley
March 30 through April 16
Wednesdays – Sundays at 7pm
PLUS 2pm matinees on April 8 and April 15
Directed by Josh Gladstone
Starring Brynne Kraynak, Raye Levine, Sawyer Spielberg
and Eric Svendsen
Two college buddies’ annual outing of male-bonding and debauchery veers precipitously off course when unmet expectations spiral into a volatile showdown. A darkly funny drama exploring the evolution of friendships – and the lengths to which we go to save them from falling into extinction.
Please note that this play includes graphic language and mature subject matter.
General Admission $25 ($23 Guild Hall Members)
$15 Students under 18
Production Team:
Set Designer – Raye Levine
Lighting Designer – Sebastian Paczynski
Stage Manager – Tyler Winthrop
Producer – Sawyer Spielberg
PR – Leah Lane
TIX INFO: http://www.guildhall.org/events/?id=1071&mode=id
Here's our conversation with actor, sound designer, Eric Svedsen:What was your first impression of Extinction when you first read it?
My first
impression of EXTINCTION was that it was brutally funny. There are some
elements of the friendship between Finn and Max that seem very familiar, and
not far off from those of Swingers, Sideways, etc., where the tension
and dissonance of the friendship lies in the difference between one character
who can coast through life more or less effortlessly, while the other, more
aesthete, dorky character is underappreciated, although the audience sides with
him. However, this play goes significantly deeper in it's examination of
those characters and the beliefs and attitudes that shape them and motivate the
actions that transpire. It isn't just humor, although it has plenty of
that; it also strikes a chord in a dark place.
When did you first work with Barefoot Theatre Company and why do you feel Extinction speaks to the company's mission and aesthetic?
When did you first work with Barefoot Theatre Company and why do you feel Extinction speaks to the company's mission and aesthetic?
I first
worked with Barefoot Theatre Company, more or less officially, at the bareNaked
Reading Series in Los Angeles last summer. That said, Francisco Solorzano is
an old friend from Lyle Kessler's Master Class, which was precisely the scene
study class where Brynne Kraynak, our brilliant cast member brought EXTINCTION
to Sawyer Spielberg and me, and eventually the three of us, as well as the
incredibly talented Raye Levine, started working on it in. In addition to
Raye being an established Barefoot member, Barefoot certainly felt like a fit
because of the actors, writers and directors who've committed to this sort of
material -- the experience of finding writing that you connect with and surrounding
it with people you genuinely love working with to make it happen.
Tell us a little bit about your role(s) in the production.
Tell us a little bit about your role(s) in the production.
My role in
the production is that of Max Emerson, the dark, throbbing, soulless id of the
play. He is the embodiment of bravado masking sadness; a deeply flawed
character who you would potentially kill an orphan to hang out with for just
one night. I also designed the sound.
Can you share with us the challenges and excitement of wearing more than one hat on a production? How did you approach sound design and do you think being an actor in the production helped with your choices? If so, how so.
Can you share with us the challenges and excitement of wearing more than one hat on a production? How did you approach sound design and do you think being an actor in the production helped with your choices? If so, how so.
In terms of
wearing multiple hats on this production, I think it made us question at many
stages why we didn't simply focus on one role and delegate everything to
someone else. I think the answer was that we've all developed such a deep
infatuation not just for the play, but for each other. Something I hope
to never get suckered into again. Seriously, though, it has been
incredible to be essentially sequestered together in East Hampton and to be
able to live every element of this play together. In terms of sound
design, the friendship between Finn and Max is deeply rooted in a love for the
music of the 90's, specifically the Pixies. For a guy like me, you don't
have to reach far to access a love for 90's indie music. It's always been
ingrained, and was a major element that drew me to this play. Getting to
design the sound was something I'd have knocked someone's teeth out to be able
to do.
Are there any memorable moments you can share from rehearsal that supported your process or created an exciting challenge?
Are there any memorable moments you can share from rehearsal that supported your process or created an exciting challenge?
There have
been many challenging moments in rehearsals, most frequently being those where
Josh Gladstone, our brilliant director, has forced me to explore my upper
register, most notably in scenes involving my character's incredulity regarding
nudity regulations of Atlantic City strip clubs. I believe Sawyer and
Josh would attest that I've found new notes.
What would you say are some of the universal themes of the play? What will audience take away from the evening/experience?
What would you say are some of the universal themes of the play? What will audience take away from the evening/experience?
I believe
that the universal themes of the play are the give and take that occurs in the
inherent transactional nature of any friendship. We want to believe our
motives are pure, but there is almost always a need satisfied in these
relationships - what happens when that need is no longer met on either or both
ends? How much are you willing to give when you feel you aren't getting enough
in return? Fear of moving on, fear of staying in the same place, growing
old and irrelevant, love of a shared bond and the realization that it might no
longer exist, and whether or not a life full of good times equates to or is at
odds with a fulfilling life, and how best we go about propagating our
species. Hopefully the audience will enjoy an abundance of belly churning
laughs laced with a deeply conscious feeling of self-referential disgust for
months, if not weeks, afterward.
Now more than ever, why is theater vital and the art of collaboration?
Now more than ever, why is theater vital and the art of collaboration?
Now, more than ever, we have
the ability to communicate and form ideas freely - and it should be free
from fear on all sides. The expression of humor, satire, obscenity, the
art of collaboration and theater have always been tools and weapons if employed
correctly. Let's use that shit and use it right.
Hometown?
My hometown is Sunfish Lake, MN.
My hometown is Sunfish Lake, MN.
When did you arrive in NYC? And where do you call home now:
I first arrived in NYC in
August of 2013. I am currently a nomad roaming the earth between Los
Angeles and New York, I hope to once again call New York home permanently after
the run of this play.
Favorite theater going experience.
My favorite theater going
experience was an original production at Northwestern University's Shanley
Pavilion called Guru: The Allen Ginsberg Project by Andy Fife.
Eric Svendsen studied theatre at Northwestern University. He's been involved
with productions at Rogue Machine Theater Company in Los Angeles and Naked
Angels in New York. His Credits include starring roles in Auto Parts in Los
Angeles as well as A Child's Christmas in Wales by Dylan Thomas at the Actor's
Chapel and the award-winning original performance of Sailorboy by Neville
Elder.
in association with Barefoot Theatre Company
present EXTINCTION by Gabe McKinley
March 30 through April 16
Wednesdays – Sundays at 7pm
PLUS 2pm matinees on April 8 and April 15
Directed by Josh Gladstone
Starring Brynne Kraynak, Raye Levine, Sawyer Spielberg
and Eric Svendsen
Two college buddies’ annual outing of male-bonding and debauchery veers precipitously off course when unmet expectations spiral into a volatile showdown. A darkly funny drama exploring the evolution of friendships – and the lengths to which we go to save them from falling into extinction.
Please note that this play includes graphic language and mature subject matter.
General Admission $25 ($23 Guild Hall Members)
$15 Students under 18
Production Team:
Set Designer – Raye Levine
Lighting Designer – Sebastian Paczynski
Stage Manager – Tyler Winthrop
Producer – Sawyer Spielberg
PR – Leah Lane
Tuesday, March 28, 2017
MEET SAWYER SPIELBERG (Who Who's in Extinction)
We are proud to be a part of this thrilling
production at Guild Hall featuring a stellar cast. Please take a moment
to get to know our cast and get your tickets before they're all gone.
How did this role come to you?
What's the most compelling moment about this story, without giving away any major plot points?
Do you remember the moment you knew you had to be a part of world of storytelling?
Do you have a favorite routine or style of preparation before rehearsals? If so, care to share? And does your preparation changed during performances?
Guild Hall and Where Are They Going Theatre Group
in association with Barefoot Theatre Company
present EXTINCTION by Gabe McKinley
March 30 through April 16
Wednesdays – Sundays at 7pm
PLUS 2pm matinees on April 8 and April 15
Directed by Josh Gladstone
Starring Brynne Kraynak, Raye Levine, Sawyer Spielberg
and Eric Svendsen
Two college buddies’ annual outing of male-bonding and debauchery veers precipitously off course when unmet expectations spiral into a volatile showdown. A darkly funny drama exploring the evolution of friendships – and the lengths to which we go to save them from falling into extinction.
Please note that this play includes graphic language and mature subject matter.
General Admission $25 ($23 Guild Hall Members)
$15 Students under 18
Production Team:
Set Designer – Raye Levine
Lighting Designer – Sebastian Paczynski
Stage Manager – Tyler Winthrop
Producer – Sawyer Spielberg
PR – Leah Lane
TIX INFO: http://www.guildhall.org/events/?id=1071&mode=id
MEET SAWYER SPIELBERG:
MEET SAWYER SPIELBERG:
What's your role
in this production?
Actor. I play Finn Buchanan.
How did this role come to you?
I was taking the Lyle
Kessler Master Class in New York City and my buddy Eric Svendsen brought this
play to me.
Tell us a little bit about your Character, Finn? He's a good man stuck in a self destructive relationship with an old college pal.
Tell us a little bit about your Character, Finn? He's a good man stuck in a self destructive relationship with an old college pal.
What's the most compelling moment about this story, without giving away any major plot points?
I have to say the
moments of truth about Finn's relationship with Max that begin to prevail in
this play are extremely fascinating.
Do you remember the moment you knew you had to be a part of world of storytelling?
Story telling has
been a part of my life since day one. It's
in my blood.
Do you have a favorite routine or style of preparation before rehearsals? If so, care to share? And does your preparation changed during performances?
I have a hot cup of
coffee and get excited. Acting for me is like getting ready to go
out on a Friday night to party!!
Barefoot Theatre Company is dedicated to the collaborative process, to ensemble theater making in order to provide audiences with a compelling evening of theater. In your words, why should audiences join us at John Drew Theater and witness Extinction?
Barefoot Theatre Company is dedicated to the collaborative process, to ensemble theater making in order to provide audiences with a compelling evening of theater. In your words, why should audiences join us at John Drew Theater and witness Extinction?
The John Drew Theatre
has never had such a raw and unforgiving play like extinction at their stage
and I think its going to really shake up the east end theatre goers. Bringing
something new and exciting to the stage that many will relate to is an evening
I know you won't forget.
Hometown
Los Angeles,
California
When did you arrive in NYC? And where do you call home now:
Brooklyn, NY; Hollywood, CA; etc.
2010 I moved to New
York. I call NY home.
Favorite theater going experience.
I
really enjoyed Street Car Named Desire at the St. Ann's Warehouse
last year with Ben Foster as Stanley.
BIO:
Sawyer Spielberg (Finn) studied
acting at the Atlantic Theater Company. Sawyer played Peter Van Daan in
Bay Street Theater’s 2013 production of THE DIARY OF ANNE FRANK and Bay
Street’s 2015 production OF MICE AND MEN playing Whit. Sawyer also
performed in Guild Hall of East Hampton’s 2014 production of HAMLET
playing Guildenstern and Francisco. Off Broadway Sawyer has performed at
the East 4th St Theatre playing Micha in a production of the BELGRADE
TRILOGY. He played Philip in a production of SAFE at the 14th St Y and Van in a production of CLOVER at La MaMa.
Guild Hall and Where Are They Going Theatre Group
in association with Barefoot Theatre Company
present EXTINCTION by Gabe McKinley
March 30 through April 16
Wednesdays – Sundays at 7pm
PLUS 2pm matinees on April 8 and April 15
Directed by Josh Gladstone
Starring Brynne Kraynak, Raye Levine, Sawyer Spielberg
and Eric Svendsen
Two college buddies’ annual outing of male-bonding and debauchery veers precipitously off course when unmet expectations spiral into a volatile showdown. A darkly funny drama exploring the evolution of friendships – and the lengths to which we go to save them from falling into extinction.
Please note that this play includes graphic language and mature subject matter.
General Admission $25 ($23 Guild Hall Members)
$15 Students under 18
Production Team:
Set Designer – Raye Levine
Lighting Designer – Sebastian Paczynski
Stage Manager – Tyler Winthrop
Producer – Sawyer Spielberg
PR – Leah Lane
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