Friday, October 14, 2011

RAFT OF THE MEDUSA (TOP 10 FACTS ON HIV/AIDS) FACT # 7

Fact 7

More than 2 million children are living with HIV/AIDS, according to 2008 figures. Most of the children live in sub-Saharan Africa and were infected by their HIV-positive mothers during pregnancy, childbirth or breastfeeding. Almost 1200 children become newly infected with HIV each day. The number of children receiving ART increased from about 75 000 in 2005 to 355 000 in 2009.

RAFT OF THE MEDUSA
playing thru Oct 22nd.

The CHERRY LANE THEATRE
Studio Theatre

Joe Pintauro's RAFT OF THE MEDUSA will kick off "Stripped," with previews starting October 6 prior to a press opening October 8 and running through October 22.

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.

Wednesday, October 12, 2011

RAFT OF THE MEDUSA (TOP 10 FACTS ON HIV/AIDS) FACT # 6

Fact 6

About 5.2 million HIV-positive people had access to antiretroviral therapy (ART) in low- and middle-income countries at the end of 2009. This represents a twelvefold increase since 2003. Despite these gains, global coverage of ART is still low. WHO's 2010 treatment guidelines have expanded the number of people recommended for HIV treatment from an estimated 10 million to an estimated 15 million.

RAFT OF THE MEDUSA
playing thru Oct 22nd.

The CHERRY LANE THEATRE
Studio Theatre

Joe Pintauro's RAFT OF THE MEDUSA will kick off "Stripped," with previews starting October 6 prior to a press opening October 8 and running through October 22.

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.


Tuesday, October 11, 2011

RAFT OF THE MEDUSA (TOP 10 FACTS ON HIV/AIDS) # 5

Fact 5

RAFT OF THE MEDUSA by Joe Pint

Combination antiretroviral therapy (ART) prevents the HIV virus from multiplying in the body. If the reproduction of the HIV virus stops, then the body's immune cells are able to live longer and provide the body with protection from infections.

CHECK OUT OUR REVIEWS ONLINE!!!

RAFT OF THE MEDUSA
playing thru Oct 22nd.

The CHERRY LANE THEATRE
Studio Theatre

Joe Pintauro's RAFT OF THE MEDUSA will kick off "Stripped," with previews starting October 6 prior to a press opening October 8 and running through October 22.

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.

Monday, October 10, 2011

Ensemble Members, John Harlacher and Josh Iacovelli!!!

New York Times
THEATER REVIEW | 'CHEERFUL INSANITY'

'Cheerful Insanity,' Here Arts Center - Review

Kim Katzberg in "Penetrating the Space."

Marina Zamalin

Kim Katzberg in "Penetrating the Space."

By ANDY WEBSTER

Published: October 10, 2011

Romantic and sexual trauma pervade "Cheerful Insanity: Chao and Katzberg in Repertory," two plays of contrasting sensibilities at the Here Arts Center. Each barely an hour and running on different dates, they are both confessional in nature and intriguing.

The more linear is Tom X. Chao's droll, ruminative and sometimes arch "Callous Cad." Mr. Chao, playing himself, is agonizing over an affair. His friends on a video screen (a married seducer, a randy couple trumpeting their relationship) are not helping. Offering enlightenment is a Magical Being (the delightful Charlotte Pines of "Play Dead" as the spirit of love) and her Magical Assistant (Amy Virginia Buchanan). Ms. Pines's irrepressible sprite is an enchanting foil to Mr. Chao's petulant and tearful neurotic.

Kim Katzberg's one-woman "Penetrating the Space" is a fractured gallery of personalities coming at you with such velocity that their words demand close attention. Her principal character is Jinny Jikkyl, a wide-eyed, high-strung actress wrestling with insecurity, lack of an agent and an incestuous past. Her support network, if you can call it that, includes a butch lighting designer who worships her and a dissipated former stripper giving glib advice at a suicide prevention hot line (Ms. Katzberg in drag queen mode).

At one point Jinny alludes to her father's sexual assault; at another she dons a teeth-baring wolf mask; at yet another she lasciviously mounts a stuffed purple horse. Animated segments by Maia Cruz Palileo underscore Jinny's dissociation. But for all its aggression and jagged textures, "Penetrating the Space" has a glowing, vulnerable, haunting center.

John Harlacher, who directed both shows, and Josh Iacovelli, on lights, display range and invention with minimal means.

http://mobile.nytimes.com/article?a=852357&f=63&p=0

RAFT OF THE MEDUSA (TOP 10 FACTS ON HIV/AIDS) FACT # 4

Fact 4

HIV/AIDS is the world’s leading infectious killer claiming—to date—more than 27 million lives. An estimated 2 million people die every year from HIV/AIDS.


RAFT OF THE MEDUSA by Joe Pintauro
playing thru Oct 22nd.

The CHERRY LANE THEATRE
Studio Theatre

Joe Pintauro's RAFT OF THE MEDUSA will kick off "Stripped," with previews starting October 6 prior to a press opening October 8 and running through October 22.

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.

Friday, October 7, 2011

inspiration for Pintauro's work...

REVISED "RAFT OF THE MEDUSA" BY JOE PINTAURO

Opens 9-week Stripped Festival Off-Bway at Cherry Lane Theatre in Greenwich Village


Performances of Pintauro's acclaimed 1991 play set for Oct. 6-22

A revised version of Joe Pintauro's 1991 play RAFT OF THE MEDUSA, being produced Off-Broadway this fall by the Barefoot Theatre Company, will kick off the 9-week Stripped Festival this fall with performances

October 6 to 22 at Cherry Lane Studio Theatre (38 Commerce St.) in Greenwich Village.


RAFT OF THE MEDUSA previews October 6 with an official press opening set for October 8. The run concludes October 22.

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.


Directed by Francisco Solorzano, the cast of RAFT OF THE MEDUSA features Jeremy Brena, John Gazzale, Charles Everett, Samantha Fontana, Mark G. Cisneros, Gil Ron, Maia Sage, Christopher Whalen, along with Michael Pierre Louis, Gillian Rougier and Andrew MacLarty.

Costume design is by Victoria Malvagno; lighting design by Niluka Hotaling; set design by Michael Mallard; sound design is by John Beverly; and graphic design is by ADZN, Adam Dalton.


Mr. Pintauro's numerous plays include SNOW ORCHID, MOVING TARGETS presented at Vineyard Theatre, BESIDE HERSELF, MEN'S LIVES, THE DEAD BOY and DODE JONGEN starring Roy Scheider and Mercedes Ruehl. He collaborated with Terrence McNally and Lanford Wilson on the trilogy BY THE SEA, BY THE SEA, THE BEAUTIFUL SEA produced at Bay Street Theatre and Manhattan Theatre Club. His HEAVEN AND EARTH about American farm life was directed by Jack Hofsiss at BayStreet.


Francisco Solorzano has directed SAVAGE/LOVE for Looking Glass Theater, the world premiere of the stage adaptation of DOG DAY AFTERNOON, Israel Horovitz's BEIRUT ROCKS as well as Horovitz's 6 HOTELS.


"Stripped" is billed as a festival of plays about "sex, murder, revenge...and sex." It is presented by Barefoot Theatre Company in association with East 3rd Productions.


Now in its 13th season, BAREFOOT THEATRE COMPANY's recent productions Off- Broadway include the premieres of EMERGENCY USED CANDLES, TEETH OF THE SONS, a stage adaptation of the film DOG DAY AFTERNOON, the 35th anniversary of Israel Horovitz's THE INDIAN WANTS THE BRONX, as well as the 70/70 HOROVITZ PROJECT, a yearlong worldwide festival that feature 70 of Horovitz's plays on the occasion of his 70th birthday.


East 3rd Productions' theatrical works include Zack Calhoon's THE WEIRD SISTERS, Nilo Cruz's A BICYCLE COUNTRY, STRANGE SNOW by Stephen Metcalfe, 70/70 HOROVITZ PROJECT, and the ENTER PLAYWRIGHT THEATER FESTIVAL. The company has also produced the short film "Tapeworm," recipient of the best short film award at Gotham Screen International Film Festival.


RAFT OF THE MEDUSA will perform Tuesdays through Fridays at 7 p.m. and Saturdays at 3 and 7 p.m.

Tickets are $18; $15 for students/seniors. A pay-what-you-can night has been set for Oct. 11. For performance and ticket information, call 212 352 3101

RAFT OF THE MEDUSA (TOP 10 FACTS ON HIV/AIDS) FACT # 3

Fact 3

33.4 million people live with HIV/AIDS worldwide, the vast majority of whom are in low- and middle-income countries. An estimated 2.7 million people were newly infected with the virus in 2008.

RAFT OF THE MEDUSA by Joe Pintauro
playing thru Oct 22nd.

The CHERRY LANE THEATRE
Studio Theatre

Joe Pintauro's RAFT OF THE MEDUSA will kick off "Stripped," with previews starting October 6 prior to a press opening October 8 and running through October 22.

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.