Monday, October 10, 2011

Ensemble Members, John Harlacher and Josh Iacovelli!!!

New York Times
THEATER REVIEW | 'CHEERFUL INSANITY'

'Cheerful Insanity,' Here Arts Center - Review

Kim Katzberg in "Penetrating the Space."

Marina Zamalin

Kim Katzberg in "Penetrating the Space."

By ANDY WEBSTER

Published: October 10, 2011

Romantic and sexual trauma pervade "Cheerful Insanity: Chao and Katzberg in Repertory," two plays of contrasting sensibilities at the Here Arts Center. Each barely an hour and running on different dates, they are both confessional in nature and intriguing.

The more linear is Tom X. Chao's droll, ruminative and sometimes arch "Callous Cad." Mr. Chao, playing himself, is agonizing over an affair. His friends on a video screen (a married seducer, a randy couple trumpeting their relationship) are not helping. Offering enlightenment is a Magical Being (the delightful Charlotte Pines of "Play Dead" as the spirit of love) and her Magical Assistant (Amy Virginia Buchanan). Ms. Pines's irrepressible sprite is an enchanting foil to Mr. Chao's petulant and tearful neurotic.

Kim Katzberg's one-woman "Penetrating the Space" is a fractured gallery of personalities coming at you with such velocity that their words demand close attention. Her principal character is Jinny Jikkyl, a wide-eyed, high-strung actress wrestling with insecurity, lack of an agent and an incestuous past. Her support network, if you can call it that, includes a butch lighting designer who worships her and a dissipated former stripper giving glib advice at a suicide prevention hot line (Ms. Katzberg in drag queen mode).

At one point Jinny alludes to her father's sexual assault; at another she dons a teeth-baring wolf mask; at yet another she lasciviously mounts a stuffed purple horse. Animated segments by Maia Cruz Palileo underscore Jinny's dissociation. But for all its aggression and jagged textures, "Penetrating the Space" has a glowing, vulnerable, haunting center.

John Harlacher, who directed both shows, and Josh Iacovelli, on lights, display range and invention with minimal means.

http://mobile.nytimes.com/article?a=852357&f=63&p=0

RAFT OF THE MEDUSA (TOP 10 FACTS ON HIV/AIDS) FACT # 4

Fact 4

HIV/AIDS is the world’s leading infectious killer claiming—to date—more than 27 million lives. An estimated 2 million people die every year from HIV/AIDS.


RAFT OF THE MEDUSA by Joe Pintauro
playing thru Oct 22nd.

The CHERRY LANE THEATRE
Studio Theatre

Joe Pintauro's RAFT OF THE MEDUSA will kick off "Stripped," with previews starting October 6 prior to a press opening October 8 and running through October 22.

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.

Friday, October 7, 2011

inspiration for Pintauro's work...

REVISED "RAFT OF THE MEDUSA" BY JOE PINTAURO

Opens 9-week Stripped Festival Off-Bway at Cherry Lane Theatre in Greenwich Village


Performances of Pintauro's acclaimed 1991 play set for Oct. 6-22

A revised version of Joe Pintauro's 1991 play RAFT OF THE MEDUSA, being produced Off-Broadway this fall by the Barefoot Theatre Company, will kick off the 9-week Stripped Festival this fall with performances

October 6 to 22 at Cherry Lane Studio Theatre (38 Commerce St.) in Greenwich Village.


RAFT OF THE MEDUSA previews October 6 with an official press opening set for October 8. The run concludes October 22.

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.


Directed by Francisco Solorzano, the cast of RAFT OF THE MEDUSA features Jeremy Brena, John Gazzale, Charles Everett, Samantha Fontana, Mark G. Cisneros, Gil Ron, Maia Sage, Christopher Whalen, along with Michael Pierre Louis, Gillian Rougier and Andrew MacLarty.

Costume design is by Victoria Malvagno; lighting design by Niluka Hotaling; set design by Michael Mallard; sound design is by John Beverly; and graphic design is by ADZN, Adam Dalton.


Mr. Pintauro's numerous plays include SNOW ORCHID, MOVING TARGETS presented at Vineyard Theatre, BESIDE HERSELF, MEN'S LIVES, THE DEAD BOY and DODE JONGEN starring Roy Scheider and Mercedes Ruehl. He collaborated with Terrence McNally and Lanford Wilson on the trilogy BY THE SEA, BY THE SEA, THE BEAUTIFUL SEA produced at Bay Street Theatre and Manhattan Theatre Club. His HEAVEN AND EARTH about American farm life was directed by Jack Hofsiss at BayStreet.


Francisco Solorzano has directed SAVAGE/LOVE for Looking Glass Theater, the world premiere of the stage adaptation of DOG DAY AFTERNOON, Israel Horovitz's BEIRUT ROCKS as well as Horovitz's 6 HOTELS.


"Stripped" is billed as a festival of plays about "sex, murder, revenge...and sex." It is presented by Barefoot Theatre Company in association with East 3rd Productions.


Now in its 13th season, BAREFOOT THEATRE COMPANY's recent productions Off- Broadway include the premieres of EMERGENCY USED CANDLES, TEETH OF THE SONS, a stage adaptation of the film DOG DAY AFTERNOON, the 35th anniversary of Israel Horovitz's THE INDIAN WANTS THE BRONX, as well as the 70/70 HOROVITZ PROJECT, a yearlong worldwide festival that feature 70 of Horovitz's plays on the occasion of his 70th birthday.


East 3rd Productions' theatrical works include Zack Calhoon's THE WEIRD SISTERS, Nilo Cruz's A BICYCLE COUNTRY, STRANGE SNOW by Stephen Metcalfe, 70/70 HOROVITZ PROJECT, and the ENTER PLAYWRIGHT THEATER FESTIVAL. The company has also produced the short film "Tapeworm," recipient of the best short film award at Gotham Screen International Film Festival.


RAFT OF THE MEDUSA will perform Tuesdays through Fridays at 7 p.m. and Saturdays at 3 and 7 p.m.

Tickets are $18; $15 for students/seniors. A pay-what-you-can night has been set for Oct. 11. For performance and ticket information, call 212 352 3101

RAFT OF THE MEDUSA (TOP 10 FACTS ON HIV/AIDS) FACT # 3

Fact 3

33.4 million people live with HIV/AIDS worldwide, the vast majority of whom are in low- and middle-income countries. An estimated 2.7 million people were newly infected with the virus in 2008.

RAFT OF THE MEDUSA by Joe Pintauro
playing thru Oct 22nd.

The CHERRY LANE THEATRE
Studio Theatre

Joe Pintauro's RAFT OF THE MEDUSA will kick off "Stripped," with previews starting October 6 prior to a press opening October 8 and running through October 22.

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.

Thursday, October 6, 2011

RAFT OF THE MEDUSA (TOP 10 FACTS ON HIV/AIDS)

Fact 2

HIV can be transmitted through unprotected sexual intercourse (vaginal or anal) or oral sex with an infected person; transfusions of contaminated blood; and the sharing of contaminated needles, syringes or other sharp instruments. It can also be transmitted between a mother and her baby during pregnancy, childbirth and breastfeeding.

RAFT OF THE MEDUSA by Joe Pintauro

part of Barefoot Theatre Company and East 3rd Collaboration: STRIPP3D

now in previews.

Get Your tixs today!

TICKETS for RAFT OF THE MEDUSA are $15.00 for students and seniors and $18.00 for general admission. To avoid surcharges, you may purchase tickets in person at the Cherry Lane box office outside of the theatre. Box office hrs are Tues-Fri 4-8pm, 12-8pm Saturday and 12-7pm Sunday. **NOTE: Senior and Student tix are with ID at box office ONLY. We can't wait to see you at the show!

Tuesday, October 4, 2011

Raft Of the Medusa by Joe Pintauro

First presented in 1991 to considerable acclaim, RAFT OF THE MEDUSA has been revised by Mr. Pintauro for this production. Drawing on the Theodore Gericault 19th century painting of people clinging to a raft following a shipwreck, Pintauro's play takes place 10 years into the AIDS epidemic, centering on a weekly gathering of people living with AIDS.


This week we'll bring you 10 Facts on HIV/AIDS:


HIV (human immunodeficiency virus) infects cells of the immune system and destroys or impairs their function. Infection results in the progressive deterioration of the immune system, breaking down the body's ability to fend off infections and diseases. AIDS (Acquired immune deficiency syndrome) refers to the most advanced stages of HIV infection, defined by the occurrence of any of more than 20 opportunistic infections or related cancers.



RAFT OF THE MEDUSA will perform Tuesdays through Fridays at 7 p.m. and Saturdays at 3 and 7 p.m

Tickets are $18; $15 for students/seniors. A pay-what-you-can night has been set for Oct. 11. For performance and ticket information, call 212 352 3101 or go online at HYPERLINK "http://www.ovationtix.com" www.ovationtix.com.

barefoottheatrecompany.org




Tuesday, September 27, 2011

STRIPP3D (who's who)...

Here's a look at Joe Pintauro, first playwright featured in our STRIPP3D Festival in collaboration with East 3rd Productions...RAFT OF THE MEDUSA, directed by Barefoot Theatre Company Producing Artistic Director, Francisco Solorzano will open the festival on Oct 5th, 2011. All productions will take place at the legendary, Cherry Lane Theatre...

JOE PINTAURO

PLAYS: CACCIATORE (three one act plays) ,
SNOW ORCHID, (selection Eugene O’Neill 1980, Circle Rep, London’s Gate, Noittinghill).
WILD BLUE, (Perry St., 49 st. Theatre)
MOVING TARGETS, (Vineyard
Theatre NYC)
BESIDE HERSELF (Circle Rep.)
RAFT OF THE MEDUSA (Minetta Lane etc.)
MEN’S LIVES, (adaptation) Bay St. Theatre etc)
HEAVEN AND EARTH, (adaptation) Bay St. Theatre
REINDEER SOUP (ACT SanFrancisco)
METROPOLITAN OPERAS (27 one act plays, etc.)
AMERICAN DIVINE, (Dolphinback, Chicago)
BY THE SEA (DAWN, collaborative trilogy w. Lanford Wilson, Terrence McNally. (Bay St. Theatre, Manhattan Theatre Club).
WHAT I DID (7 one act plays) Guild Hall, E. Hampton.
SALVATION, (London’s Gate, Nottinghill)
THE DEAD BOY, Eugene O’Neill, 1999 (DODE JONGEN, Netherlands)
KARMA BOOMERANG, 2005 (Pacific Resident Theatre)


Pintauro's poems: Harper & Row, also in collaboration with artists, Corita Kent and Norman LaLiberte. His three one acts about Italian American life in NYC, entitled CACCIATORE earned his first major theatre reviews. SNOW ORCHID, his
first full length. became a selection of the Eugene O'Neill Conference and later with Olympia Dukakis, Peter Boyle and Robert Lupone at Circle Rep. A revival in London, starred Jude Law and Paola di Ognisotti. Short plays: AMERICAN DIVINE, in Chicago and "MOVING TARGETS" New York City's Vineyard Theater, Metropolitan Operas, Milenium Group, NYC. have been compared to Jame's Joyce's THE DUBLINERS. Full length plays: BESIDE HERSELF, with William Hurt, Lois Smith, Calista Flockhart and Melissa Joan Hart. RAFT OF THE MEDUSA: Minetta Lane and London's Gate Nottinghill (SALVATION). MEN'S LIVES, an adaptation of Mattheissen's non fiction book, was the innaugural production of the Bay Street Theatre in Sag Harbor. THE DEAD BOY, about faith and trauma: work-shopped at London's Royal Court under Stephen Daldry and again there with Ian McKellan. Pintauro directed THE DEAD BOY in Dutch language in the Netherlands as: DODE JONGEN, with Anton Lutz and most recently with Roy Scheider and Mercedes Ruehl, again in workshop in Key West. His collection of some forty short plays called, METROPOLITAN OPERAS (Dramatists Play Service, NYC, are oproduced in various languages world wide including the Comedia del Arte in Venetia under Carla Poli. The trilogy BY THE SEA, BY THE SEA, BY THE BEAUTIFUL SEA, a collaboration with Terrence McNally and Lanford Wilson, was produced by The Bay Street Theatre and Manhattan Theatre Club. HEAVEN AND EARTH, about American Farm life, also a Bay Street production, was directed by Jack Hofsiss. Pintauro has recently completed BEAUTIFUL DREAMER, a Civil War screenplay about the only woman to ever receive the Congressional medal of Honor and is working on two new full length plays with The Pacific Theatre Company, in Los
Angeles, KARMA BOOMERANG and DANCE NITE ON THE RIVER QUEEN.

Joe studied poetry with Leonie Adams at Columbia University. He taught fiction writing at Sarah Lawrence and N.Y.U's Tisch, film making at Marymount College and The School of Visual Arts, N.Y. He taught playwriting at Southampton College. Pintauro was playwright for the 2003 Southampton Writers Conference. THE DEAD BOY was a selection of the Eugene O'Neill Playwrights Conference. "STATE OF GRACE." his novel was published by Times Books. His novel, COLD HANDS, Simon and Schuster, was widely reviewed and singled out by the New York Times as one of the best novels of the year. Pintauro has studied cinematography under George Stoney, NYU, has a B.B.A. from Manhattan College, a B.A. in Philosophy from St. Jerome's College, Kitchener, Ontario and four full time years of Theology at Our Lady of Angels Seminary, Niagara University. He was recently awarded the Margaret Hill innaugural chair in theatre at Saint Mary's College, Notre Dame and was named recipient of the 2005 John Steinbeck literary award.

RAFT OF THE MEDUSA: Minetta Lane and London's Gate Nottinghill (SALVATION). MEN'S LIVES, an adaptation of Mattheissen's non fiction book, was the innaugural production of the Bay Street Theatre in Sag Harbor. THE DEAD BOY, about faith and trauma: work-shopped at London's Royal Court under Stephen Daldry and again there with Ian McKellan. Pintauro directed THE DEAD BOY in Dutch language in the Netherlands as: DODE JONGEN, with Anton Lutz and most recently with Roy Scheider and Mercedes Ruehl, again in workshop in Key West.

Over a dozen books of Pintauro's poems were published by Harper & Row in the 1970's. His three one acts about Italian American life in NYC, entitled CACCIATORE, garnered his first major theatre reviews. SNOW ORCHID, his first full length played starred Olympia Dukakis, Peter Boyle and Robert Lupone at Circle Rep. The London version starred Jude Law and Paola di Ognisotti. His larger collection of short plays called METROPOLITAN OPERAS, led to many productions in that title as well as AMERICAN DIVINE, in Chicago and "MOVING TARGETS" produced by New York City's Vineyard Theatre. Full length plays are: BESIDE HERSELF, Circle Rep, with William Hurt, Lois Smith, Calista Flockhart and Melissa Joan Hart. RAFT OF THE MEDUSA at the Minetta Lane and London's Gate Nottinghill (under the title, SALVATION). MEN'S LIVES, a dramatic adaptation of Mattheissen's non fiction book, was the innaugural production of the Bay Street Theatre in Sag Harbor. THE DEAD BOY, about trauma in today's Catholic priesthood, was work-shopped at London's Royal Court under Stephen Daldry and again there with Ian McKellan. Pintauro directed the play in Dutch language in the Netherlands under the title DODE JONGEN, with Anton Lutz.

METROPOLITAN OPERAS (Dramatists Play Service, NYC, are oproduced in various languages world wide including the Comedia del Arte in Venetia under Carla Poli. Ie: REX (2008 Oct.) running in San Paolo in Portuguese.

The trilogy BY THE SEA, BY THE SEA, BY THE BEAUTIFUL SEA, a collaboration with Terrence McNally and Lanford Wilson, ran at Bay Street Theatre and Manhattan Theatre Club. HEAVEN AND EARTH, about American Farm life, also at Bay Street directed by Jack Hofsiss.

Pintauro has recently completed BEAUTIFUL DREAMER, a Civil War screenplay about the only woman to ever receive the Congressional medal of Honor for bravery under fire in the Civil War.

Joe studied poetry with Leonie Adams at Columbia and with Dorothy Van Ghent also of Columbia. He studied Henry James and Wallace Stevens with Marious Bewley and himself taught fiction writing at Sarah Lawrence and N.Y.U. He taught film making at Marymount and The School of Visual Arts, N.Y.C

His plays SNOW ORCHID, 1980 and THE DEAD BOY 1999 were selections of the Eugene O'Neill Playwrights Conference.

His novel, COLD HANDS, Simon and Schuster, was widely reviewed and singled out by the New York Times as one of the best novels of the year.

Pintauro studied cinematography under George Stoney, has a B.B.A. from Manhattan College, a B.A. in Philosophy from St. Jerome's College, Kitchener, Ontario, completed courses for his M.A. at Fordham University in American Literature and completed four full time years of Major Theology at Our Lady of Angels Seminary, Niagara University.

2001 recipient of the Margaret Hill innaugural chair in theatre at Saint Mary's College, Notre Dame. 2005, recipient of the John Steinbeck literary humanitarian award. 2008 Guild Hall Lifetime achievement award.