We are PROUD to announce that we will be joining NYC's legendary La MaMa theatre along with Gloucester Stage Co. to bring ISRAEL HOROVITZ's newest play, MAN IN SNOW, Off Broadway later this Fall as part of our 2016-2017 Season following the world premiere at GSC... BUT...we need your support to make our final fundraising goals a reality. A generous donor has come on board to match every dollar up to $10,000 to bring this very important play to New York City audiences of all ages.
We are in search of donors who are looking to sponsor our production and become a part of the presentation with gifts in return such as: tax-deductible receipt, producer credit, opening night/red-carpet tixs, private screening of Barefoot Studio Pictures' short films, Floating Sunflowers (starring Anna Chlumsky) and latest A Northern Star (starring Lynn Cohen), with Horovitz's short film, Security (originally developed and premiered on stage w/ Barefoot Theatre Co.) along with private dinner and drinks with Horovitz and the Barefoot Theatre Co. ensemble.
See more info on artists involved, the play, history as well as breakdown of Gifts BELOW.
Three (3) easy ways to contribute & become a part of our Off Broadway production:
1) Click on button to make your tax-deductible donation:
2) Write a check and make it payable to:
Barefoot Theatre Company, Inc.
619 East 17th Street, #1S
Brooklyn, NY 11226
c/o Francisco Solorzano
3) or contact us to make a secured CHASE Quickpay transaction. Email us at barefoottheatre@aol.com, attn: Francisco Solorzano with the best way to contact you via phone.
Here's a little more about the project in Israel Horovitz's own words:
Why are we fundraising online for MAN IN SNOW?
The budget for the Gloucester Stage leg of the
journey is covered. The budget for
bringing the show to LaMama is very nearly covered. In total, our budget for the NYC transfer is at $20,000 - we're looking to raise only half, with a matching donation already set at $10,00!
I hope that you will be able to help with a
contribution, large or small.
This project is hugely important to me. I
think that MAN IN SNOW is among my very best work.
The play tells the story of a man caught in an
avalanche, but centers on parents grieving for a dead child. The play is very
much a study of grief and its effects on marriages and families. I have done
exhaustive research on these important life-issues. I have seen audiences’ profoundly
emotional response to both the radio play and the stage version of MAN IN SNOW.
Grief is an important, but highly non-commercial
theme. Hardly obscure, grief touches every human life, yet is a subject rarely
touched by films or stage-plays.
MAN IN SNOW was originally written for BBC
Radio 4 in the year 2000. I had just returned from seeing a play of mine in
Fairbanks, Alaska, and was being interviewed by a local radio station... when a
report came in about a man who was killed in a cabin during an avalanche. He
spent his final minutes of his life talking on a cell-phone to his wife, saying
goodbye.
The phone was hot-wired into a 40’-high
antenna, allowing continued reception.
This story stayed with me, haunted me. When I
was asked by BBC Radio 4 to write an original radio play, I wrote MAN IN SNOW,
which is totally fiction except for the essential image of a husband and wife
saying their goodbyes in that terrible circumstance. My play won the 2001 Sony
Radio Academy Award.
Around 5 years ago, I had an invitation to travel
to Italy to see some short plays of mine in a theatre in Spoleto. I had been to
Spoleto in 1968 for the Festival of Two Worlds, where I showed The Indian Wants
the Bronx with Al Pacino and John Cazale, and It's Called The Sugar Plum with
Jill Clayburgh. Spoleto was a great memory for me, and so I accepted the
invitation to return there to see the stage-show composed of my short plays. In
Spoleto, I met the director Andrea Paciotto for the first time. His work directing
my plays was brilliant. Andrea’s speciality is physical – visual – theatre.
Mine is very much the art of storytelling. Our combined work was, I think,
unusual and compelling for audiences.
The eight Italian actors performing my plays asked
me if they could stay together as a troupe and continue to perform other plays
of mine. Of course I said 'yes' and Compagnia Horovitz-Pacciotto was born.
To date, Andrea has directed nearly a dozen of
my plays in Italy. A few years ago, he asked if he could put my radio play MAN
IN SNOW on stage in Italy. His stage-production of MAN IN SNOW was astonishing.
It inspired me to write a fully-realized stage-play based upon my radio script.
During the past year, I developed the stage
version of MAN IN SNOW at The Actors Studio in NYC, working closely with
Francisco Solorzano of Barefoot Theatre. Francisco is a close friend of
Pacciotto. I have worked with Barefoot Theatre on literally dozens of my plays.
When Igturned 70, Barefoot 4:38 PMheater and Francisco Solorzano organized the 70/70 Horovitz
Project… 70 of my plays were given readings and/or full productions by theatre
companies around the globe.
Francisco Solorzano and I worked closely developing
MAN IN SNOW for the stage, doing rehearsed readings of developing drafts of the
stage play through four separate performances of MAN IN SNOW, spaced throughout
a full year at The Actors Studio in NYC, and Orlando Shakespeare Theatre in
Florida.
The play is now scheduled to be performed at
Gloucester Stage during September and October 2016, followed immediately by
performances in NYC at LaMama in November.
Others theatres in the USA and France have
already scheduled performances of MAN IN SNOW for 2017.
Andrea Paciotto will come to America in
summer, 2016, to rehearse and direct MAN IN SNOW at Gloucester Stage, and then
re-stage the play at LaMama.
Israel HOROVITZ
NYC,
May-July 2016.
GIFTS:
Co-PRODUCER - $20,000 +
Two (2) Red-Carpet / Opening Night Tixs & After party
Two (2) to any following performances
Signed Framed Poster of MAN IN SNOW
Signed Script - NYC Performance Script
Media DVD/CD with BBC Radio Original Recording, Rehearsal Clips, Interviews & More
Private Dinner w/ Barefoot Theatre Co & Israel Horovtiz
Private Screening of Barefoot Studio Pictures' films including Security by Horovitz (originally premiered on stage w/ Barefoot Theatre Co.)
Signed Collection of Israel Horovitz Playscripts, Poems and Memoir
Program acknowledgment
Social Media & Website acknowledgement
Program and Website Advertisement space
TWO (2) Red-Carpet / Opening Night Tixs & After party to Barefoot GALA
TWO (2) Red-Carpet / Opening Night Tixs to NYC Premiere of A NOTHERN STAR, a film starring Lynn Cohen & the Barefoot Theatre Ensemble.
Signed BluRay copy of Barefoot Studio Pictures' debut film, FLOATING SUNFLOWERS starring Anna Chlumsky of VEEP and My Girl fame.
Barefoot Theatre Company limited Logo Pin
Tax Deductible Donation Receipt
ASSOCIATE PRODUCER - $10,000 +
Two (2) Red-Carpet / Opening Night Tixs & After party
Two (2) to any following performances
Signed Framed Poster of MAN IN SNOW
Signed Script - NYC Performance Script
Private Dinner w/ Barefoot Theatre Co & Israel Horovtiz
Private
Screening of Barefoot Studio Pictures' films including Security by
Horovitz (originally premiered on stage w/ Barefoot Theatre Co.)
Signed Collection of Israel Horovitz Playscripts, Poems and Memoir
Program acknowledgment
Social Media & Website acknowledgment
TWO (2) Red-Carpet / Opening Night Tixs & After party to Barefoot GALA
Barefoot Theatre Company limited Logo Pin
Tax Deductible Donation Receipt
SUPPORTER - $5,000 +
Two (2) Red-Carpet / Opening Night Tixs & After party
Signed Framed Poster of MAN IN SNOW
Signed Script - NYC Performance Script
Media DVD/CD with BBC Radio Original Recording, Rehearsal Clips, Interviews & More
Private
Screening of Barefoot Studio Pictures' films including Security by
Horovitz (originally premiered on stage w/ Barefoot Theatre Co.)
Signed Collection of Israel Horovitz Playscripts, Poems and Memoir
Program acknowledgment
Social Media & Website acknowledgment
Barefoot Theatre Company limited Logo Pin
Tax Deductible Donation Receipt
ANGEL - $500 +
Private
Screening of Barefoot Studio Pictures' films including Security by
Horovitz (originally premiered on stage w/ Barefoot Theatre Co.)
Signed Collection of Israel Horovitz Playscripts, Poems and Memoir
Program acknowledgment
Social Media & Website acknowledgment
Barefoot Theatre Company limited Logo Pin
Tax Deductible Donation Receipt
All funds will go towards the NYC transfer: Actor's fees, health & pension, marketing, advertising, designer fees, crew and more. For a detailed breakdown, please contact us directly at barefoottheatre@aol.com.
BAREFOOT THEATRE COMPANY (Co-Producer)
In 1999, Barefoot Theatre Company was founded by a multicultural group of artists determined to produce vital, thought-provoking plays, both new and lesser-known existing works. Led by Actor, Francisco Solorzano, the BAREFOOT THEATRE COMPANY is now in its 17th season, developing theater and film (via sister co. Barefoot Studio Pictures) in New York and LA. Recent collaborations with award winning writers include, Jose Rivera, Jesse Eisenberg, Kristoffer Diaz, Ben Snyder, Mike Reiss, Joe Pintuaro, Israel Horovitz, Lyle Kessler, Jan Rosenberg, Amina Henry, Adam Szymkowicz, Mark Borkowski, Micheline Auger, Mel Nieves and actors Gina Gershon, Bobby Cannavale, Mark Ruffalo, Ethan Hawke, Chris Cooper, Michael Stuhlbarg, Annabella Sciorra, John Doman, Austin Pendleton, Richard Kind, Mickey Sumner, Anna Chlumksy, Lynn Cohen, Tala Ashe, Caitlin FitzGerald, Alfredo Narciso, to name a few. Recent productions Off-Broadway include the premieres of TEETH OF THE SONS, a stage adaptation of the film DOG DAY AFTERNOON, NYC Revival of Joe Pintauro’s RAFT OF THE MEDUSA, the workshop of Israel Horovitz's GLOUCESTER BLUE, as well as the 70/70 HOROVITZ PROJECT, a yearlong worldwide festival that featured 70 of Horovitz's plays on the occasion of his 70th birthday. First film project via Barefoot Studio Pictures, FLOATING SUNFLOWERS starring Anna Chlumsky, Lynn Cohen, Christopher Whalen; directed by Francisco Solorzano was the recipient of several awards including Best Short Film, Best Director, Best Actress (Chlumsky), and many others at some of the top Film Festivals. Currently in post production: A short film written and directed by Caitlin FitzGerald; A Northern Star written and directed by Francisco Solorzano starring Lynn Cohen and the Barefoot Theatre Co. Ensemble completed and scheduled for release around the globe this Fall. Fore more info visit: barefoottheatrecompany.org.
In 1999, Barefoot Theatre Company was founded by a multicultural group of artists determined to produce vital, thought-provoking plays, both new and lesser-known existing works. Led by Actor, Francisco Solorzano, the BAREFOOT THEATRE COMPANY is now in its 17th season, developing theater and film (via sister co. Barefoot Studio Pictures) in New York and LA. Recent collaborations with award winning writers include, Jose Rivera, Jesse Eisenberg, Kristoffer Diaz, Ben Snyder, Mike Reiss, Joe Pintuaro, Israel Horovitz, Lyle Kessler, Jan Rosenberg, Amina Henry, Adam Szymkowicz, Mark Borkowski, Micheline Auger, Mel Nieves and actors Gina Gershon, Bobby Cannavale, Mark Ruffalo, Ethan Hawke, Chris Cooper, Michael Stuhlbarg, Annabella Sciorra, John Doman, Austin Pendleton, Richard Kind, Mickey Sumner, Anna Chlumksy, Lynn Cohen, Tala Ashe, Caitlin FitzGerald, Alfredo Narciso, to name a few. Recent productions Off-Broadway include the premieres of TEETH OF THE SONS, a stage adaptation of the film DOG DAY AFTERNOON, NYC Revival of Joe Pintauro’s RAFT OF THE MEDUSA, the workshop of Israel Horovitz's GLOUCESTER BLUE, as well as the 70/70 HOROVITZ PROJECT, a yearlong worldwide festival that featured 70 of Horovitz's plays on the occasion of his 70th birthday. First film project via Barefoot Studio Pictures, FLOATING SUNFLOWERS starring Anna Chlumsky, Lynn Cohen, Christopher Whalen; directed by Francisco Solorzano was the recipient of several awards including Best Short Film, Best Director, Best Actress (Chlumsky), and many others at some of the top Film Festivals. Currently in post production: A short film written and directed by Caitlin FitzGerald; A Northern Star written and directed by Francisco Solorzano starring Lynn Cohen and the Barefoot Theatre Co. Ensemble completed and scheduled for release around the globe this Fall. Fore more info visit: barefoottheatrecompany.org.
Playwright-screenwriter-director
ISRAEL HOROVITZ’S 70+ plays have been translated and performed in as many as 30
languages, worldwide. Best-known plays include Line (in its 45th year, off-Broadway,
NYC’s longest-running play, ever), The Indian Wants The Bronx, It’s Called
The Sugar Plum, Rats, Morning, The Primary English Class, The Wakefield Plays (a cycle including Alfred the Great, Our Father’s Failing, Alfred Dies, Hopscotch, The 75th,
Stage Directions and Spared), The Widow’s Blind Date, The
Growing Up Jewish Trilogy Park Your Car In Harvard Yard, North Shore Fish, Fighting
Over Beverley, Lebensraum,
My
Old Lady, Unexpected
Tenderness, Fast Hands, 6 Hotels, Compromise, and The
Secret of Mme. Bonnard’s Bath. Recent
plays include The Bump, Sins
of the Mother, What Strong Fences Make, The P Word, Virtual Alex,
St. Anne’s Soup, Breaking Philip Glass, Man In Snow (written originally for BBC
Radio 4, winner of Sony Radio Academy Award), and
Gloucester Blue. Currently working on two new plays: Out Of The Mouths of Babes (opening June
7th at The Cherry Lane Theatre starring Estelle Parsons and Judith
Ivey), and The Day Before Yesterday. Screenplays
include Author! Author!, The Strawberry Statement (Prix du Jury, Cannes Film
Festival), Sunshine
(European Academy Award – Best Screenplay),
Security, New York, I Love You, James
Dean (which introduced James
Franco), 3
Weeks After Paradise (which
Horovitz wrote, directed and starred. Played on Bravo Network and in film
festivals worldwide). Mr. Horovitz recently wrote and directed his first
feature film (at age 74) My Old Lady,
which starred Maggie Smith, Kevin Kline and Kristin Scott-Thomas, based upon
his stage-play.
Horovitz’s memoires Un New-Yorkais a
Paris were recently published in France, where he is the most-produced
American playwright in French theatre history.
He has written and published one novel Cappella and one novella Nobody
Love Me. Heaven and Other Poems, published
October 2014, is the first collection
of his poetry he has authorized for publication. Awards include OBIE (twice), Prix Italia,
Sony Radio Academy Award, Writers Guild of Canada Best Screenwriter Award,
Christopher Award, Drama Desk Award, Award in Literature of the American
Academy of Arts and Letters, and many others. Horovitz was recently
decorated as Commandeur dans l’Ordre des Arts et des Lettres, France’s highest
honor awarded to foreign artists. He is
Founding Artistic Director of Gloucester Stage, and active Artistic Director of
the New York Playwrights Lab, and is co-artistic director of Compagnia
Horovitz-Paciotto in Italy. NYC’s
Barefoot Theatre celebrated Horovitz’s 70th birthday by organizing
The 70/70 Horovitz Project, a year-long event with 70 Horovitz plays having had
readings and/or productions by theatres around the globe. (May 2016.)
MAN IN SNOW director's notes:
"My mother was very
funny; she had a wonderful sense of humor —I learned from her that the easiest
way to involve an audience in a very serious play is to make them laugh and
feel comfortable. All art is born of the suffering of the child—there is no exception."
Israel Horovitz
extract from an interview
published in August 2012
Since
I met Israel Horovitz in 2009 and our collaboration began, his wisdom, passion
and wonderful artistry has been a great inspiration. And some of his thoughts
and ideas about theatre have become precious instruments in my director's tool
bag. One of the strongest traits of his writing is the sense of humor. Horovitz
is able to use it with sensitive and always surprising mastery, not for the
sake of writing easy entertaining comedies, but as a necessary ingredient to
tell poignant stories. Irony helps the audience open up to the world of the
play, engaging with the characters, feeling the pulsating current of the
narration and experiencing real moments of moving beauty.
"If
you want to make the audience cry, first make them laugh." And this is
what happens also in Man in Snow. We giggle and laugh at David's
humorous conversation with his wife Franny. We follow the engaging recounting
of his travel to Alaska's highest mountain peak Denali, one of most
beautiful and magic natural places on earth, and the mesmerizing vision of the
Northern Lights. We feel suspended in a time of remembrance and we are
gradually lead into the introspective revelation of David's world of unexpressed
passions, hidden memories, deepest sorrows and regrets.
Horovitz
depicts a journey, from the lightness of the initial scenes to the touching
depth of the final intimate moments. David's attempt to reach the top of the
mountain, becomes a ritualistic journey of reconciliation with his own life,
never restored after the accident in which he lost his son. And we cannot hold
back the tears, when we realize that only surrendering to the most pure and
urgent expression of love, he is able to find peace and reconciliation. This is
what happened to me when I read this play for the first time, and what happens
every time I read it again.
The
prose is so full of vivid imagery and powerful symbolic elements that the
staging remains by contrast very minimal, offering the opportunity for the
audience to concentrate on the words and on the emotional journey conveyed by
the actors. The sound design and the music, as well as the sober and very
detailed use of lighting, help support the flow of the dialogues and connect
the various scenes, only suggesting an idea of the environment in which the
story unfolds. The audience are invited to fill the empty space activating
their own senses and imagination.
- ANDREA PACIOTTO
ANDREA PACIOTTO
Andrea Paciotto is a theatre director, producer, teacher and curator, originally from Italy. In more than twenty-five years of activity, he has directed over 30 different productions, has collaborated with various festivals and theaters around the world and his work has been presented in Italy, The Netherlands, Germany, Austria, Turkey, Serbia, Bosnia, Switzerland, Poland, Macedonia, United States, Mexico and South Korea. He has directed a very diverse array of productions, contemporary and classical plays, experimental projects, operas, music theatre performances and large multimedia events. He has directed videofilms and documentaries, created installations, produced and curated different types of cultural and artistic projects, translated and published plays, engaged in social and community work and contributed to developed theatre educational programs at different levels.
He began studying theatre as an actor in Italy at the Theatre School of Perugia University and at the Pontedera Theatre Foundation. He later continued in the United States receiving a B.A. and M.F.A. in Theatre Directing from Brooklyn College City University of New York. Subsequently, he was accepted by the DasArts Center for Advance Research in Theatre and Dance of Amsterdam University in The Netherlands, for a two years research on the application of new technologies in live performance, for which he holds another M.A. degree. His international career initiated in 1990 thanks to the encounter with American theatre icon Ellen Stewart, founder and artistic director of New York La MaMa Experimental Theatre. He has been affiliated to La MaMa ever since, working as Resident performer and Director. He was later appointed Director of the European center called La MaMa Umbria International, an Artist Residency located in Spoleto. In 2000, 2001 he lived Mexico and worked as director and teacher for organizations such as: the Festival Cumbre Tajin, the Center of Indigenous Art in Veracruz, the International Music Festival of Guadalajara and Music Festival of Xalapa, among others. In 2004 he returned to Italy and founded Offucina Spoleto, a production company focused on the development, creation and promotion of innovative artistic and cultural events, which he directed until 2013. In 2007 he was commissioned by Venice Biennale to direct a production on Goldoni and the new theatre, co-produced with Serbian Uzice National Theatre and BITEF Belgrade International Festival, for which he also curated the National Program of the festival. The following year (2008) the Mittelfest of Cividale del Friuli, Italy, invited him to present a multimedia interactive performance based on Italo Calvino's short science fiction stories. In 2009 he started the Horovitz-Paciotto Company, a collaborative project with American playwright Israel Horovitz. The company produced 4 different performances, which received national acclaim and toured in major theaters all around Italy, in 2012-2013. Andrea has lead courses, lectures and workshops on various aspects of theatre and media performances at: University of Viterbo, National Academy of Dance in Mexico City, Maastricht Theater Academy, University of Belgrade and Bitef Festival in Belgrade, Academy of Fine Arts in Sofia, University of South Carolina among others. Since 2008, he is an active member of the TECOM, Training and education committee of the International Theatre Institute and a founding member of the Italian Center of ITI. In March 2014 he began collaborating with the Seoul Institute of the Arts in Korea, as Visiting Professor and guest artist. He has been teaching courses in directing, acting, devised and physical theatre, interdisciplinary production and telematic performance. He is one of the researchers for the CultureHub, exploring the use of telepresence and Internet technology for education and artistic projects.
Andrea Paciotto is a theatre director, producer, teacher and curator, originally from Italy. In more than twenty-five years of activity, he has directed over 30 different productions, has collaborated with various festivals and theaters around the world and his work has been presented in Italy, The Netherlands, Germany, Austria, Turkey, Serbia, Bosnia, Switzerland, Poland, Macedonia, United States, Mexico and South Korea. He has directed a very diverse array of productions, contemporary and classical plays, experimental projects, operas, music theatre performances and large multimedia events. He has directed videofilms and documentaries, created installations, produced and curated different types of cultural and artistic projects, translated and published plays, engaged in social and community work and contributed to developed theatre educational programs at different levels.
He began studying theatre as an actor in Italy at the Theatre School of Perugia University and at the Pontedera Theatre Foundation. He later continued in the United States receiving a B.A. and M.F.A. in Theatre Directing from Brooklyn College City University of New York. Subsequently, he was accepted by the DasArts Center for Advance Research in Theatre and Dance of Amsterdam University in The Netherlands, for a two years research on the application of new technologies in live performance, for which he holds another M.A. degree. His international career initiated in 1990 thanks to the encounter with American theatre icon Ellen Stewart, founder and artistic director of New York La MaMa Experimental Theatre. He has been affiliated to La MaMa ever since, working as Resident performer and Director. He was later appointed Director of the European center called La MaMa Umbria International, an Artist Residency located in Spoleto. In 2000, 2001 he lived Mexico and worked as director and teacher for organizations such as: the Festival Cumbre Tajin, the Center of Indigenous Art in Veracruz, the International Music Festival of Guadalajara and Music Festival of Xalapa, among others. In 2004 he returned to Italy and founded Offucina Spoleto, a production company focused on the development, creation and promotion of innovative artistic and cultural events, which he directed until 2013. In 2007 he was commissioned by Venice Biennale to direct a production on Goldoni and the new theatre, co-produced with Serbian Uzice National Theatre and BITEF Belgrade International Festival, for which he also curated the National Program of the festival. The following year (2008) the Mittelfest of Cividale del Friuli, Italy, invited him to present a multimedia interactive performance based on Italo Calvino's short science fiction stories. In 2009 he started the Horovitz-Paciotto Company, a collaborative project with American playwright Israel Horovitz. The company produced 4 different performances, which received national acclaim and toured in major theaters all around Italy, in 2012-2013. Andrea has lead courses, lectures and workshops on various aspects of theatre and media performances at: University of Viterbo, National Academy of Dance in Mexico City, Maastricht Theater Academy, University of Belgrade and Bitef Festival in Belgrade, Academy of Fine Arts in Sofia, University of South Carolina among others. Since 2008, he is an active member of the TECOM, Training and education committee of the International Theatre Institute and a founding member of the Italian Center of ITI. In March 2014 he began collaborating with the Seoul Institute of the Arts in Korea, as Visiting Professor and guest artist. He has been teaching courses in directing, acting, devised and physical theatre, interdisciplinary production and telematic performance. He is one of the researchers for the CultureHub, exploring the use of telepresence and Internet technology for education and artistic projects.
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